Martin Puryear
American, b. 1941
Untitled, 2022
Intaglio
© Martin Puryear, Courtesy Matthew Marks Gallery
Meticulous latticework constructs this refined three-dimensional form. Nearly abstract, the shape portrays a Phrygian cap, symbolic of liberty in Roman times and popularized in Revolutionary France. Years after he began working with the motif, Martin Puryear encountered an 18th-century French engraving of a Black man wearing the cap; the image was captioned “Moi libre aussi” (meaning, I am free too). The engraving, created in 1794, left a powerful impression on the artist. The architectural and conceptual possibilities of the Phrygian cap shape are central to Puryear’s work. It is one of only a few dozen motifs that the artist has interpreted repeatedly in print and sculpture over his sixty-year career. By distilling objects to their essential forms, Puryear transforms them into evocative symbols of powerful universal concepts, such as freedom.